In Transit

Days pass in the gentle glow of the monitor; there is evening and there is morning.

Streetlights flickers on amid the raucous calls of hundreds of crows; the setting sun catches her eyes and breaks the reverie just enough to reawaken Petra to her body. Lord, she aches, in every sinew and every member, eyes burning, throat scraped dry and raw, stomach hollow and bladder dangerously full. She stands and the room sways around her, starts to grow dim and iris in. Deep breaths, bend over, let the blood rush to her head and clear it. She grabs a juice pack on her way to the toilet, drains it in one long pull, desperate to get her blood sugar up.

What does she remember? Fragments only: mission statements, annual revenue and expenditures, cost of goods sold, desalinization figures, an outbreak of privatization somewhere down east, the latest season of The Chirurgeon’s Journal, an unexplained fishkill in the lake that left translucent shrimp corpses rotting along the shore, distant helicopters, the roar of traffic, synthetic gunfire from someone’s open window competing with authentic gunfire echoing from the trainyards, tits and ass, succulent food, sympathetic parents, love that never fades and sales that never end.

It’s too much for her waking mind to recall, so she doesn’t try. Cooks rice, slices eggs, chews on fruit, lets it ferment somewhere back of her conscious mind. It’ll be there when she needs it, or it won’t.

Alnilam

Even then—

A burly male torso arching out of the darkness, one arm raised, broad hips and thighs dissolved into an ambiguous tail, now that of a fish, now a serpent; light caught on the edges of the scales. Above, a long, narrow skull, turned half away, crowned with a wreath of cedar boughs and rhododendron flowers.

From the ship’s railing—

A face vast as a planet emerges from the storm, wreathed in boiling storm clouds. They are too small for its dread regard, she knows—she has been assured and reassured—and yet—it is not a human face, but her brain, hungry for patterns, keeps assigning it human dimensions, picking eyes, noses, mouths out of its ceaseless evolutions. She shakes her head to clear it, to see the storm and nothing more, and it shakes its head in mimicry.

From the depths—

The lightless shape of an orca cries out wordlessly with a child’s voice, and is answered. Again, and again. Again. Petra shudders and heads below again; some nights are not made for sleeping.

Decompression Sickness

80 floors in under a minute; 13 feet a second.

Petra’s ears pop and she struggles to swallow, dry-mouthed and nervous, even though this is long-familiar. The view, too, is familiar, or should be, but somehow it always catches her off guard. It’s a grey predawn down on the street, but early morning up here; the hallway is bathed in rosy-fingered light, and the terminator sweeping over the valley from the mountains takes her breath away.

Vertigo: she feels the earth dropping away beneath her, curving away from the sun.

The man in the bed is old, with the delicate paper skin they all have, the curled spine. This one is well-fed, comfortingly — yesterday’s was light as a bird, scarely more than a skeleton and memories, disquietingly closer to a wire sculpture than a human. She wheels the bed to the window, and the man smiles up at her, eyes wide and calm, all pupil. They spend a moment looking out at the early morning, crisp and clear before the heat closes in, until their breath settles into a shared rhythm, until her pulse keeps time with the gentle ticking of the monitor.

Later—

Petra pulls the window shut again, and leans her head against the glass. She cranes her head toward the street, listens for an impact that never comes. Where they go, she doesn’t know, but she rides the elevator down alone, as always.

Every Day In Every Way

The damn thing has broken down again.

Swearing, viaductor Linnaeus hurls herself down the oil-sweet confines of the tube leading to waste reclamation. Something’s gotten wedged into the outflow pipe, and you can’t leave that to linger or the whole ship chokes on its chyme. Waste reclamation is silent except for the faint buzz of the archipelago of ghost lights that trace an uncertain path down from the digestor.

She’s not superstitious, but.

Last ship she was on, they pulled a half-dissolved woman out of one of the vats. She’d been in there at least a month, going by how decayed she was, and it wasn’t until the baleares started complaining about the strange taste of the taps that anyone came looking. They’d been brushing their teeth with corpse water for weeks. Nobody knew who the dead woman was; she wasn’t part of the crew, and they were a entire ship’s year out from the islands. Coalesced, they said, which sometimes happened; sometimes space clots and spits out a corpse, sometimes people go missing. Deep water is dangerous.

Linnaeus grits her teeth behind the mask and slips into the vat, hoping the ladder will still be there when she resurfaces.

Dabbling

It’s been so long since the last time she was grounded that Petra has almost forgotten the trick of staying upright. The long weary hours held against the treadmill by elastic have left her dense enough, but it never switches off, not nights nor weekends. Everything aches.

She spends most of her waking hours in the apartment pool, just floating in a way that is almost but not entirely unlike being out there; anyway her back aches less. The pool is unheated, but she’s got a wetsuit that keeps her warm enough and gives her more support when she moves. Her hair crisps from the chlorine.

She’s sitting on the bottom, weightless with yearning, when a pair of ducks fly over the fence and land on the water above her. She stays still as long as she can, lets the slight current tug her out from under them down toward the filter. When she can’t hold her breath anymore, she cracks the eggshell of the surface with her head, forces herself to breathe slowly and silently.

The ducks eye her warily.