Decompression Sickness

80 floors in under a minute; 13 feet a second.

Petra’s ears pop and she struggles to swallow, dry-mouthed and nervous, even though this is long-familiar. The view, too, is familiar, or should be, but somehow it always catches her off guard. It’s a grey predawn down on the street, but early morning up here; the hallway is bathed in rosy-fingered light, and the terminator sweeping over the valley from the mountains takes her breath away.

Vertigo: she feels the earth dropping away beneath her, curving away from the sun.

The man in the bed is old, with the delicate paper skin they all have, the curled spine. This one is well-fed, comfortingly — yesterday’s was light as a bird, scarely more than a skeleton and memories, disquietingly closer to a wire sculpture than a human. She wheels the bed to the window, and the man smiles up at her, eyes wide and calm, all pupil. They spend a moment looking out at the early morning, crisp and clear before the heat closes in, until their breath settles into a shared rhythm, until her pulse keeps time with the gentle ticking of the monitor.


Petra pulls the window shut again, and leans her head against the glass. She cranes her head toward the street, listens for an impact that never comes. Where they go, she doesn’t know, but she rides the elevator down alone, as always.

Every Day In Every Way

The damn thing has broken down again.

Swearing, viaductor Linnaeus hurls herself down the oil-sweet confines of the tube leading to waste reclamation. Something’s gotten wedged into the outflow pipe, and you can’t leave that to linger or the whole ship chokes on its chyme. Waste reclamation is silent except for the faint buzz of the archipelago of ghost lights that trace an uncertain path down from the digestor.

She’s not superstitious, but.

Last ship she was on, they pulled a half-dissolved woman out of one of the vats. She’d been in there at least a month, going by how decayed she was, and it wasn’t until the baleares started complaining about the strange taste of the taps that anyone came looking. They’d been brushing their teeth with corpse water for weeks. Nobody knew who the dead woman was; she wasn’t part of the crew, and they were a entire ship’s year out from the islands. Coalesced, they said, which sometimes happened; sometimes space clots and spits out a corpse, sometimes people go missing. Deep water is dangerous.

Linnaeus grits her teeth behind the mask and slips into the vat, hoping the ladder will still be there when she resurfaces.


It’s been so long since the last time she was grounded that Petra has almost forgotten the trick of staying upright. The long weary hours held against the treadmill by elastic have left her dense enough, but it never switches off, not nights nor weekends. Everything aches.

She spends most of her waking hours in the apartment pool, just floating in a way that is almost but not entirely unlike being out there; anyway her back aches less. The pool is unheated, but she’s got a wetsuit that keeps her warm enough and gives her more support when she moves. Her hair crisps from the chlorine.

She’s sitting on the bottom, weightless with yearning, when a pair of ducks fly over the fence and land on the water above her. She stays still as long as she can, lets the slight current tug her out from under them down toward the filter. When she can’t hold her breath anymore, she cracks the eggshell of the surface with her head, forces herself to breathe slowly and silently.

The ducks eye her warily.

Spare Me and God Will Spare You

Cordray’s been captured, which obviously isn’t ideal, just rotten timing and worse luck, wrong place, wrong time, wrong stars at her birth, maybe. She can hardly breathe for the knee in her back; her eyes still sting with the chemical agent they’d sprayed her with. Mild stuff, comparatively, for her tweaked system, but they don’t know that, and shouldn’t, so she lets herself puff up and weep. The crowd is screaming at the soldiers holding her down. What has she stumbled into?

The one with (his?) knee in her back says something, but of course it’s all gabble to Cordray, who was never supposed to have touched down like this, who hasn’t had the training, who hasn’t had the languages drilled into her. Anger comes through clear enough, though, and fear. She writhes a little and weeps harder, usually that works, but not this time. The knee presses down harder to make her go quiet, and the crowd gets louder, more hostile.

Someone in the crowd throws a rock, and the knee in her back flinches, and it’s enough; she rolls loose and dives into the mob. There’s a loud retort and the crowd sways and for a second she doesn’t understand, then a wave of horror sweeps over her as she realizes what’s happening, what’s been happening, what she’s caught in now.


Anatinus shivers when they cross the line; even after so many voyages the moment itself sends a frisson down hir spine to hir toes. Deeper waters, these, if grown familiar over the years; xie imagines xie can feel the land dropping away beneath the hull and the space yawning open beneath them like a mouth. Not an unfriendly one, but not friendly, either; you take your chances out here.

Hir first tattoo was a snail, as was traditional, someplace close to the bone; on hir collarbone, in this instance, though others prefer the inside of the wrist or close to the ankle under the spurs. A reminder that home is a place you carry with you, and that no place is every truly strange.

They’re going further out than ever before, this time; the coast is a memory vanished in the haze of the horizon, past the islands, through the gates of Herakles, to where only the stars, the clocks, and the logs keep their location fixed. They are here to categorize, to split, to separate the waters above from the waters below, two to four to sixteen to sixty-four and beyond, world without end.

Hir latest tattoo, high on hir thigh, is a human figure with the head of a dog, sitting in a field, his hands raised in supplication or instruction, clothes ragged, eyes dark, a memory of their last voyage, to where the map had ended then, of the people they found there. No matter how far they push, no space is ever truly new, truly unknown; there is home and life on either side of the line.