There’s a river that winds its way between the two cities, but the last time Cedar saw it was when she first arrived. It’s been weeks, and she must have crossed over it a dozen times or more, because the road signs change, the colors of the streetlights change, the paving stones changes, but she hasn’t seen anything but stone and brick and frosted glass underfoot. In the cafes and bars and libraries and public baths, she hears running water; the air is everywhere heavy and vibrant with moisture, but there’s no end to the concrete she can find.
She remembers bridges, but only in retrospect; when she turns back on herself to find them, they’re gone, hidden behind another gently curving row of buildings. She climbs to sit among the rooftop gardens with the birds, and off in the distance she sees the shifting reflection of sunlight on water, but each street she takes toward it curves back on itself or is shuttered by a rusted gate, a collapsed building, a pile of unmoving maintenance equipment.
The longer she looks, the fewer people she sees. When she arrived, the streets were choked with bodies, faces obscure behind upturned collars and downturned hats, eyes shining in the evening with malice or desire or good humor, but now? The streets are empty of everything save the wind, the sound of leaves against the pavement, the ghost of the river. Her footsteps echo off the buildings, double and triple themselves. Every door she tries is locked, every business newly closed.