The hole was deep enough to stand in, but not deep enough to disappear in, so they told Piper to keep digging. When it was deep enough that standing two long strides away meant he and his shovel were invisible, they told him to make it longer; when it was longer they told him to curve, first north, then south.

He falls asleep at the end of shift boneweary, beyond conscious thought. He wakes with the cloying smell of earth clogging his nose. He dreams of burrows, the white gasp of exposed roots, the half-bodies of severed moles, the traitorous immovability of stones. Days blur together; he is digging for weeks. One trench ends and another begins, twisting, three dimensional maps like molten silver poured into a termite mound.

Gas rolls across the top of his burrows, a choking yellow fog, and he lets it wash over him, eyes red behind glass, face lengthened into a protective snout. When the wind shifts, he turns back to his shovel and begins filling in the hole, covering over the bodies left behind.

Blood calls from the earth in the voice of a shepard, and blood responds.

Earlier: shot of a sheepfold, a flock of idiot beasts watching a lone traveler passing along the road. Close up on a row of rectangular, unblinking irises. In the distance the sounds of slaughter. Foreshadowing, but also excuse; it’s unclear.

Later, much later: slow push along an abandoned railroad, weeds growing wild and high through the ties, spiky and alien, turning slowly to follow the track of the sun. The same traveler edges past the camera, and the weeds cling greedily to their clothes, their skin. Close up on a pale cornsilk flower, an offscreen hiss, and a spatter of blood on thorns. Footsteps withdrawing; leaves rustle with intent.

Now, here: a cliff overlooking the ocean, far off in the distance, and the traveler deep in the frame, a mannikin of a figure, toy sized. A dog at their heels, barking furiously. They turn and — the cliff is empty, silent except for the barking dog, the screech of seagulls, and the distant surf. We pull back yet farther.

Blood cries to blood.

The fields have grown over the remains, grass and moss reclaiming the bones, poppies sprouting from empty eyes, blackberries choking the trenches gouged in the earth. Pale aspens advance across the line, leaves upturned and pitted against caustic yellow rains; generations forget, but the forest remembers.

The forest remembers, bears the past within itself, in sulfurous sap and poison oak, grows green and lush on the fallen, a vegetal rejoicing at newly open space. Weeds grow tall and strange, five feet of barbs and purple feathers, waving spiny stalks that twist to track the westward sun.

Westward, wounds heal, bones knit, history fades with each dying generation. Old tensions are new again, old hatreds, old tyrannies. Armies turn inward, police roam the streets in riot gear and tanks, cities choke on bitter gas and broken glass. The cycle continues.